Kisetsu | Seasons

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As we explore the four seasons of the year, the "Seasons" collection presents us with elements that capture the essence of each one. Spring, summer, autumn, and winter are represented in the colors, textures, and shapes chosen for each piece. Nature's constant transformation is celebrated and uniquely expressed.

Just as the climatic seasons follow an infinite cycle, the seasons of life also proceed. This collection invites us to reflect on the passage of time and the different phases of existence. Each piece represents a special and valuable moment in our personal journey.

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This collection, inspired by Japonism, is a unique fusion between the delicate oriental and the glamour of Art Deco. Allow me to present you this journey of beauty and harmony.

Japonism, an artistic movement from the 19th century, captivated the Western world with its unique aesthetic. Based on simplicity, subtlety, and respect for nature, Japonism won over artists and designers, and its influence endures to this day.

The two aesthetics share commonalities such as the appreciation of symmetry, geometry, and precision. Moreover, both express a deep appreciation for nature in their creations.

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The term Japonism, as we know it today, dates back to distant times. Already in the 19th century, it was used to describe the growing phenomenon of the use of prints known as ukiyo-e, a type of woodblock print originating from Imperial Japan, across parts of Europe and the United States.

This historical period also marked the gradual opening of Japan to the world after centuries of isolation. As time passed, some artists managed to overcome this barrier and their works began to be recognized here in the West.

Consequently, elements of Japanese culture slowly infiltrated these regions, contributing to the emergence of various forms of expression and new trends in architecture, painting, decorative arts, design, and even literature. Ukiyo-e prints by Kitagawa Utamaro are notable examples.

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It is important to note that Japonism should not be seen merely as a displaced imitation of what was done in Japan centuries ago. As Western countries absorbed these influences, a cultural feedback also occurred. This led even the great masters of painting to adopt elements of Japonism in their works. A notable example is Vincent van Gogh, the renowned Dutch painter, who had a passion for the style of Japanese prints.

In this context, Japonism represents not just a one-way movement but a dialogue between cultures, enabling an exchange of artistic concepts and techniques. This interaction stimulated creativity and influenced the way art and design were conceived and appreciated. Ukiyo-e prints by Kitagawa Utamaro exemplify this.

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